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Looking for the best headphones for video editing? .
With the best video cameras striving for ultimate video quality, it's easy for audio quality to take a bit of a back seat. Thankfully, fixing this at the point of capture isn't difficult, as there's no shortage of great external microphones that'll give your audio quality a big boost over what your camera can capture through its built-in microphone.
While you could use a standard pair of headphones for the job, to really hear every subtlety in your audio, a pair of studio headphones is a must. These are designed to give the clearest possible sound, while also remaining tonally neutral. Unlike some consumer-grade headphones that may be tuned to produce more bass or treble to make music sound extra vibrant, studio headphones - also call monitors, reference, or professional headphones - give bass, midrange and treble frequencies equal weighting, so you get the most accurate and reliable audio playback during capture and post..But that only covers the first stage of the film-making workflow. Once you've recorded your audio, it'll usually need editing, and that means you need a reliable way to listen to one or more audio tracks to check quality, syncing and levels. A decent pair of headphones is often the best way to play back audio during editing, as they'll more effectively seal out background noise better than speakers, while also being usable for monitoring audio when shooting on location.
While you could use a standard pair of headphones for the job, to really hear every subtlety in your audio, a pair of studio headphones is a must. These are designed to give the clearest possible sound, while also remaining tonally neutral. Unlike some consumer-grade headphones that may be tuned to produce more bass or treble to make music sound extra vibrant, studio headphones - also call monitors, reference, or professional headphones - give bass, midrange and treble frequencies equal weighting, so you get the most accurate and reliable audio playback during capture and post.
Frequency response
This conveys the breadth of tones that the headphone drivers are able to produce, from the lowest bass notes to the highest treble frequencies. The human ear can usually hear a range from 20Hz up to 20,000 Hz (or 20 kHz), so a pair of headphones that at least covers this range is a must. Most boast an even wider response range though, which at the low/bass end can be beneficial, as while you may not be able to hear these frequencies, it is possible to feel them.
Impedance
Measured in ohms, and symbolized as Ω, this quantifies how easily the speaker drivers are to 'drive' - vibrate - sound waves into your ear. Headphones with a low impedance (below 50 ohms) are easy to drive and don't require additional sound amplification above and beyond what your camera or laptop can produce. High impedance headphones are designed for use with a dedicated headphone amp or pro studio equipment, otherwise they can sound too quiet. On this list we're only recommending low impedance models to ensure maximum device compatibility.
Connection
Most of the headphones on this list use a traditional corded connection to your device, usually via a good old 3.5mm headphone jack. This ensures the best possible audio fidelity with no risk of degradation or dropout due to wireless interference. More expensive headphones may have the option to unplug the headphone cord from the earcup, so you can swap it out for shorter, longer, straight or coiled cables.
Earcup design
When you're editing video for long periods, comfortable earcups are a must. For this reason studio headphones don't tend to use an in-ear, earbud design, and instead are generally classified as 'on-ear' or 'over-ear'.
Over-ear cups - also called circumaural - solve this by adding a thicker perimeter ring of padding around the cup so it sits around your ear, rather than on it. It's a more comfortable solution for long editing stints, and also creates a seal around each ear to seal out background noise - a feature called noise isolation, or passive noise reduction..On-ear headphones are less common in the studio sector. These earcups rest flat on the surface of your ear, which can be fine for shorter periods, but could cause fatigue after a while.
Over-ear cups - also called circumaural - solve this by adding a thicker perimeter ring of padding around the cup so it sits around your ear, rather than on it. It's a more comfortable solution for long editing stints, and also creates a seal around each ear to seal out background noise - a feature called noise isolation, or passive noise reduction.
Then there's the choice between open-back and closed-back earcups. Closed back are more common in the reference headphone market, as they help to further isolate sound. Open-back earcups will have a vented exterior casing to allow some sound to escape. This can create a wider, airier sound profile, but it also means others around you can hear the audio leakage, and in the worst case it could end up being recorded as background noise by a very sensitive mic.
The best headphones for video editing
1. absolute best headphones for video editing
2. beyerdynamic DT 770 PRO (32 ohms)
Style: Over ear, closed back | Connection: wired, 1.6m straight cable | Driver size: 45mm | Frequency response: 5 - 35,000Hz | Impedance: 32 ohms | Weight: 270g
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